10/22/09 Largo LA setlist
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sigh.megaballs1 wrote:If you are still reading, I'm gonna indulge myself by sharing my notes and thoughts. I'm taking the wife tonight. Last night I went solo and sat in a 260 seat theatre with a notepad, good smoke and moonshine.
The scene was like I thought college might have been but wasn't. It was a younger crowd, maybe 30-ish, all there to take in bare boned music backed by solid, thoughtful prose.
I see strains of outrageous talent in a guy like John Roderick, to me an unknown, can't be paid much...reminds me how I howl at the moon for all the talented but underpaid musicians I've met or befriended over the years.
The crowd seems to know this guy and his tunes. The place has a Seattle feel to it. Could it be that Seattle has a cool folky music scene that I'm missing? I think I'm missing alot of scenes...maybe thats what is happening...a series of scenes in places like Austin, Portland and Brooklyn. Maybe each generation has to create its own soundtrack and support artists in their time...I think its good, I hate the radio fed trapped in time nature of "classic rock".
It reminds me I'm getting older too.
Watching Jay and Ben master these complex lyrics with rhythmic cadences, something I've always watched Dylan do in wonder lately...it separates them from the mortals. Not a single line was flubbed here on opening night. All these crazy Jack lyrics. Try singing all those lyrics to Idiot Wind sometime.
I will never tire of having Jay singing great lyrics like Low Life Kingdom with eyes mostly closed. He feels it, you think. Did Townes feel it too.
God, I miss him but never knew.
Thats why I see Jay and his projects every chance I can. Its not to support him. Its to indulge me.
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If you are still reading, I'm gonna indulge myself by sharing my notes and thoughts. I'm taking the wife tonight. Last night I went solo and sat in a 260 seat theatre with a notepad, good smoke and moonshine.
The scene was like I thought college might have been but wasn't. It was a younger crowd, maybe 30-ish, all there to take in bare boned music backed by solid, thoughtful prose.
I see strains of outrageous talent in a guy like John Roderick, to me an unknown, can't be paid much...reminds me how I howl at the moon for all the talented but underpaid musicians I've met or befriended over the years.
The crowd seems to know this guy and his tunes. The place has a Seattle feel to it. Could it be that Seattle has a cool folky music scene that I'm missing? I think I'm missing alot of scenes...maybe thats what is happening...a series of scenes in places like Austin, Portland and Brooklyn. Maybe each generation has to create its own soundtrack and support artists in their time...I think its good, I hate the radio fed trapped in time nature of "classic rock".
It reminds me I'm getting older too.
Watching Jay and Ben master these complex lyrics with rhythmic cadences, something I've watched Dylan do in wonder lately...it separates them from the mortals. Not a single line was flubbed here on opening night. All these crazy Jack lyrics. Try singing all those lyrics to Idiot Wind sometime.
I will never tire of having Jay singing great lyrics like Low Life Kingdom with eyes mostly closed. He feels it, you think. Did Townes feel it too?
God, I miss him but never knew.
Thats why I see Jay and his projects every chance I can. Its not to support him. Its to indulge me.
The scene was like I thought college might have been but wasn't. It was a younger crowd, maybe 30-ish, all there to take in bare boned music backed by solid, thoughtful prose.
I see strains of outrageous talent in a guy like John Roderick, to me an unknown, can't be paid much...reminds me how I howl at the moon for all the talented but underpaid musicians I've met or befriended over the years.
The crowd seems to know this guy and his tunes. The place has a Seattle feel to it. Could it be that Seattle has a cool folky music scene that I'm missing? I think I'm missing alot of scenes...maybe thats what is happening...a series of scenes in places like Austin, Portland and Brooklyn. Maybe each generation has to create its own soundtrack and support artists in their time...I think its good, I hate the radio fed trapped in time nature of "classic rock".
It reminds me I'm getting older too.
Watching Jay and Ben master these complex lyrics with rhythmic cadences, something I've watched Dylan do in wonder lately...it separates them from the mortals. Not a single line was flubbed here on opening night. All these crazy Jack lyrics. Try singing all those lyrics to Idiot Wind sometime.
I will never tire of having Jay singing great lyrics like Low Life Kingdom with eyes mostly closed. He feels it, you think. Did Townes feel it too?
God, I miss him but never knew.
Thats why I see Jay and his projects every chance I can. Its not to support him. Its to indulge me.
Last edited by megaballs1 on Fri Oct 23, 2009 1:50 pm, edited 1 time in total.
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I think Grifter is making an appearance as well. Come to NY Dev.saratoga jay wrote:Antelope and myself will be at the NYC show.dEvRoNiKa wrote:Fuck this - I'm checking flights.
I like the Voodoo Candle rockin' addition to close the show. Also cool because Jon Wurster played on that (the mellower version) on Sebastopol.
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this dude opened
John Roderick
Just him and acoustic guitar. Great voice. Original music. Very likable fellow from Seattle, alternate tunings with great interaction with the audience. Ben Gibbard said they couldn't decide on a comedian or a musician to open the tour, so they got both.
http://en.wikipedia.org/wiki/John_Roderick_(musician)
John Roderick
Just him and acoustic guitar. Great voice. Original music. Very likable fellow from Seattle, alternate tunings with great interaction with the audience. Ben Gibbard said they couldn't decide on a comedian or a musician to open the tour, so they got both.
http://en.wikipedia.org/wiki/John_Roderick_(musician)
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Couches in Alleys
is 2004 Nothing's Lost, the breakthrough and fourth album for artist Styrofoam aka Arne Van Petegem. The album features guest appearances by Ben Gibbard wiki
lyrics here
http://www.songmeanings.net/songs/view/ ... 858522896/
Jay went and sat at the piano. Played flawlessly like the pro that he is. Nice change of pace, lyrics fit right in.
Voodoo Candle it is. The band did the rockin SV version, not the Canyon version. Gibbard singin the chorus with Jay worked well.
Sweet Marie
Dylan. Jay lead vocals. enuff said
http://www.sing365.com/music/lyric.nsf/ ... 6900299BA6
Old Shoes took us home with lyrics like farewell, sun in her eyes, I'll be gone. Jay harmony Ben lead.
Goodbye, so long, the road calls me. Its Tom Waits and the lyrics are here
http://www.lyricsdepot.com/tom-waits/old-shoes.html
The crowd seemed 50-50% DCFC and JF, appreciative of the opening act, both artists, even Mark got a big standing O from an older long hair dude in the middle front row seat
is 2004 Nothing's Lost, the breakthrough and fourth album for artist Styrofoam aka Arne Van Petegem. The album features guest appearances by Ben Gibbard wiki
lyrics here
http://www.songmeanings.net/songs/view/ ... 858522896/
Jay went and sat at the piano. Played flawlessly like the pro that he is. Nice change of pace, lyrics fit right in.
Voodoo Candle it is. The band did the rockin SV version, not the Canyon version. Gibbard singin the chorus with Jay worked well.
Sweet Marie
Dylan. Jay lead vocals. enuff said
http://www.sing365.com/music/lyric.nsf/ ... 6900299BA6
Old Shoes took us home with lyrics like farewell, sun in her eyes, I'll be gone. Jay harmony Ben lead.
Goodbye, so long, the road calls me. Its Tom Waits and the lyrics are here
http://www.lyricsdepot.com/tom-waits/old-shoes.html
The crowd seemed 50-50% DCFC and JF, appreciative of the opening act, both artists, even Mark got a big standing O from an older long hair dude in the middle front row seat

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10/22/09 Largo LA setlist
California Zephyr
Low Life Kingdom
Willamine
All in One
These Roads Don't Move
Big Sur
One Fast Move
Final Horrors
Couches in Alleys
Sea Engines
Void
Breath our Iodine
Voodoo Candle
standing O
++++++++++++++encore
San Francisco
Sweet Marie
Old Shoes
Low Life Kingdom
Willamine
All in One
These Roads Don't Move
Big Sur
One Fast Move
Final Horrors
Couches in Alleys
Sea Engines
Void
Breath our Iodine
Voodoo Candle
standing O
++++++++++++++encore
San Francisco
Sweet Marie
Old Shoes