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STEREO-TYPE
RECORD REVIEW
July
2003
By Andria Lisle
 
From
its first note, Terroir
Blues unfolds like an
elegantly wrought treasure
map, all faded calligraphy
on bare cowhide, rolled
up and hidden for hundreds
of years. Put the album
on once or twice, and chances
are that you'll nod your
head and tap your feet to
tracks like "Hanging
On to You" without
fully deciphering the story
Farrar has begun to tell.
Listen
carefully, and you'll being
to collect the clues. "You're
gonna find pain/ When you're
out on the road," Farrar
broods convincingly some
25 minutes into the disc.
"Loneliness will come
calling/ Don't let the falling
rain get in your mind/ Intensify
the world/ Revolutions from
within/ Take everything
in stride/ The story-ghosts
you share/ When your're
out on the road."
Yet
Farrar prefers to travel
mental- rather than physical-
distances on this album,
crossing the centuries of
his St. Louis hometown to
find his own ghosts. The
hauntingly sparse "Cahokian"
reveals ancient history,
covering the Indian civilization
that ruled the upper Mississippi
valley more than a thousand
years ago, while the two
versions of "Heart
On the Ground" (stripped-down
country and full-blown rock
n' roll) depict betrayal,
Missouri-style.
The
album's underlying voice
is Jay's father, Jim "Pops"
Farrar, an itinerant musician
and former Merchant Marine
who died in the summer of
2002. "Hard Is the
Fall" and "Dent
County" are both stories
from the elder Farrar's
life, while the western
weeper "California"
shows that the burden was
lifted from father to son.
Joined
by a handpicked group of
alt-country heroes (including
the Blood Oranges' Mark
Spencer on piano and lap
steel and Superchunk's Jon
Wurster on drums), Farrar
somberly entwines the past
and present on these 23
tracks. More articulate
and introspective than any
other alt-country release
this year, Terroir Blues
is an American Masterpiece.
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